#I think it’s a default procreate one

[roe-oo]

ethogirl?

[inumbrapugnabimus-maybe]

This is a Blue’s Fabulous Expressions Appreciation Post

Aka I was struck with sudden inspiration and drew Blue in every @linkeduniverse panel from @luna-lovegreat’s post

Also here is the lineart XD

[syn4k]

fed up with my art style so i painted a wizard

[kim-the-kryptid]

Barriss portrait because I'm going through that phase where I all of a sudden hate the brushes I've used for 3 years. I edited my existing lineart brush and I like it better but it's not perfect and I'm struggling to find one I like more because I don't know how to describe it!

[ra-vio]

link lonk (wink wonk)

[adelle-ein]

if freed, she will end the world.

slay the princess?

[almightyshadowchan]

My apologies to your eyeballs.

[readingloveswounds]

one day i'll get to write about monsters/monstrosity, which despite my general research interests in violence seems to be a white whale in terms of actually writing stuff involving it.

[rainy-art]

first attack! this one is for Twilfitt on artfight

(a little bit of my process under the cut)

I actually started drawing this character last year, but was never able to finish it because I struggled a lot with it. Even though I thought the sketch looked ok on its own, for some reason whenever I tried coloring or painting it, something just looked wrong and I was never able to get it to look right before the end of artfight.

Here is that sketch from last year:

(Looking back on it, I still think it looks fine & I'm not sure why I had so much trouble with it. Maybe in a couple years when I've improved some more I'll be able to see some flaw in it, or maybe I was just getting so burnt out last year that even things that should be easy felt impossibly hard?)

This year, I still wanted to draw this character as a revenge/thank you for Twilfitt drawing one of my characters a couple years ago. So I decided to try again, abandoning the old sketch and starting from scratch.

I did decide to keep things fairly easy for myself by making the drawing a simple portrait, like last year's sketch. (Shoulders up portraits like this are very much in my comfort zone, but I've been trying to break out of that a bit with the other attacks I've been working on this year.)

The painting process was pretty straightforward for the most part - except for when I went back and looked at the references again, and realized that her hair should be shorter, and that she probably wouldn't be wearing as much makeup. I was already pretty far into rendering at this point, but it was easy enough to fix those two things.

Here is that alternate version, as a bonus!

(this ended up being kind of long but whatever lol, that's what read mores are for 🤷‍♀️ I don't even know if anyone will read this anyway)

[tkingfisher]

A Prayer For The Lost Ones — done in Procreate.

I drew the face without any idea what the rest would be, and just hoped I’d figure it out as I went along. There were multiple false starts, but eventually this settled out. Apparently I default to saints and rabbits.

I think the rabbit is fine. Not so sure about the saint.

[sanctus-ingenium]

Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.

hi there, thank you! all my art is done in procreate and paint tool sai

because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out

sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.

the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:

the rose windows were made using the radial symmetry tool.

I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...

first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.

Blocking in the moths' colours was done with the urban sketcher again.

Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.

The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.

I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.

And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think

what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.

Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.

finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.

[icolo]

hi everyone!! my wrist is too sore to draw today, so instead i thought i'd share some of my favorite csp assets + how i like to use them! i also linked some procreate brushes at the end of the post!!

lineart brushes:

SU-Cream Pencil: i swear by this brush and i use it very often!! if you lower the pen density and use a gradient map over it when coloring your drawing, it has a nice effect. that's what i did in this drawing here! i also use this brush like i would draw on paper, so as a sketching tool. recently i've been enjoying blending it for shading. the pics below are drawn on one layer; left is more manga style while the one on the right is from a WIP of my singer sargent study, so it can be used for more realistic styles pretty well!

Found Pencil: another pencil brush that feels really nice to use, created by @/pigpenandpaper.

PS style brushes: a recreation of photoshop's (i believe) default brush. very versatile and also blends well!

analog wind variant pen: a nice pen that i like to use for lineart that is intended to have a bit of a sketch look.

zakutoro real g-pen: i used it for the lineart of this piece. although, it was drawn before i started using 600dpi in my works, so the lower resolution might make it look a bit unclear.

sets of rough pens: great for manga lineart with a rougher vibe; some of them have varying line weight.

coloring brushes:

zaku brushes: very nice and painterly mixing! i definitely recommend it for those who like to leave their colors a bit unblended.

softie marker: as the name implies, it's very soft! i like to use it for blush in chibi illustrations.

analog watercolor brushes: realistic-looking watercolor brushes. i recommend using it with csp's default paper textures, or those i linked below!

993 coloring pen: it's very soft and watery, though it can be made more solid by adjusting the paint density. i actually think it works very nicely for lineart too.

rock dog pen: another soft marker brush i like, that i once again also use for lineart and doodles.

thick coating brush set: recommended for paintings that show brush strokes.

cartoon cloud: don't let the name narrow your vision!! this has to be one of the BEST brushes for painting in my opinion, and of course it's great for clouds and explosions but so so much more!! and it's FREE try it try it!!

decoration/miscellaneous brushes:

neon pen

paper textures

symmetry move brush

close and fill without gaps

rope brush

sphere fisheye guide

flash balloon

speech bubble set: a lifesaving collection for comic artists!! dimensions and line weight can be adjusted by using the operation tool.

gradient map to use in color mode at 15% and another gradient map to use at 20%: the percentage refers to the opacity of the gradient map layer, but they are just the creator's recommendation and i tend to actually increase it. to use gradient map efficiently, i recommend putting all your colors (and lineart if you want) in a folder. then, right-click the folder, select "new correction layer" and then "gradient map". this allows you to modify the gradient map without worrying about affecting the original colors in case you decide not to use it in the end. to import a gradient map from your downloaded csp assets, click the wrench icon next to the name of the gradient set that's currently in use, then select "add gradient set".

you'll also notice that the creator recommends to use their gradients in "color mode". of course, this is also only a recommendation and i suggest trying as many layer modes as you like! to change a layer's mode, simply highlight the layer and click on "normal" (the default mode) and csp will display the available modes.

fruit ninja gradient map: fun to use if you want really drastic/vibrant colors! the names of the gradients are cute too, as you can see in the above screenshot!

BONUS: jeremy fenske's free photoshop brush pack: these aren't csp brushes per se, but they can be imported into the program! excellent for environments, i recommend watching fenske's video on how he uses the brushes to get a clearer picture since there are so many in this pack!!

BONUS 2: my good friend clem has a few brush packs for procreate that are ideal for painting,decorating drawings, and y2k-inspired illustrations, i definitely recommending checking out her shop!

in conclusion i hope this post can be helpful to you!! i tried to explain how to use the brushes as best as i could, but feel free to let me know if anything is unclear!! i hope you will enjoy using them! :D

[enilehtnorevol]

hi misha!! i think you briefly mentioned that you use slightly altered default procreate brushes for your artwork, but it would be really cool if you shared your current favourites (and if possible, their settings)! your use of texture EATS, thanks for sharing with us amazing art without fail <3

hi! thank you 🙈❤️ mostly it's this one

[sqwdkllr]

That’s for calling me the “skin-having one”

Also I think this brush looks cool as fuck so might be using this for doodles from now on (it’s the default Mercury brush on procreate)

[junorsky]

You use procreate right? I'm a beginner in coloring. And your lighting and color is always so good. If you had like steps/tutorial/tips on coloring/lighting in procreate. I would pay for it even. It's hard to find a good tutorial on YouTube for procreate users, and the style that you do which is similar to the coloring style I've been trying to self teach myself for a while and failing. Anyways sorry if this is a weird ask, but I would honestly really appreciate it

One speedpaint coming right up!

Nothing weird about this question. Honestly, I struggle a lot as well, but my problem is the shape, not the colors. I suppose I can "feel" colors, that's why impressionists are my favourite (classics always help!)

I don't know if I can help with using procreate, because I'm not really savvy with it, I always use photoshop for more complex work as it is perfect for twicking lighting, changing tint etc. I prefer to sketch in procreate, because, a) it has many great default brushes, b) my back hurts from sitting on my pc, c) I can go anywhere, draw and immediately post it.

I’ll try to summarise what I figured out with procreate, and maybe give a few tips. But I don’t know if that’s the best way to use this tool. I’m just… winging it, haha

First, if you struggle with colors, look up the color circle

It shows exactly which color goes best with which. For example, if you use Orange for your lighting, and Blue for your shadows, it’ll look nice. Perfect, even. I love that one. Avoid using pure black for shadows, otherwise you risk to make it too… burned? Like, dirty. Be careful with Black magic.

I’ll use Zevlor here to show how it works.

In addition, you can use the opposite color to make the character stand out. It’s really important. What’s more noticeable, red on brown or blue on brown?

Also, learn to use masks. Really, they may be scary, but it saves SO MUCH time. Specifically with procreate, I always use them now for everything because I haven’t found the better way to avoid fixing the stray lines. With that solution, you'll need to correct only one layer at the start, the main one. Clipping masks are great to help with that, but procreate is a little uncomfortable in that regard. I’ll show what I do, perhaps it’ll make things clearer

Those are the most useful things to know, I think. Masks can be used in photoshop in the same way, I have a bad habit of creating too many of them so it's crouded. And they rarely have a name. I'm too lazy to name them all

Anyway, I hope I managed to answer at least one of your questions... or not X) I tried. Good luck with exploring Procreate!

[hellothisisangle]

just asking to tell you I love your durge and I love your art style. Your thick inks are so pretty and stylish!

Thank you! Being called stylish…

Coupling this with another ask:

Ty ty!

Yes, Procreate, the brush I’m using for most things now is called “Sketching Derwent” and it’s in the default pencil brushes section of the app. Oh and for coloring it’s the basic airbrush or one of the watercolor brushes, then add noise. Though I think any brush you use and the outcome entirely depends on your own style as well! When I would draw on actual paper I was using those .01 micropens or mechanical pencils, fine instruments for fine lines